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The people who bring you “The East” may be proving to be one-trick ponies, but at least I like that trick. And if you haven’t seen it, it’s new to you, right?

At what point do we grow weary of superhero movies? At what point do we reach saturation? Apparently, not yet.

Where do you want to be when the world ends? I’m not sure it’s my top choice, but “a party at James Franco’s house” now ranks right up there.

Summer is typically a season of sequels, but “Before Midnight” is not a typical summer sequel. Let’s recap how we got here.

As “True Blood” enters a sixth season, the series has entered the full nadir of its run. The plots have become ridiculously overwrought, requiring suspensions of disbelief that are too big — even for a series about vampires, werewolves, faeries, et al.

With “This is the End” bringing a cast full of funny people to theaters, we’re looking at our favorite tag-team comedies of all time.

The first reason you should see Paul Thomas Anderson’s “The Master” at the Wexner Center is that it’s an amazing film full of superlative performances. It garnered Oscar nods for Joaquin Phoenix, Phillip Seymour Hoffman and Amy Adams, and it was criminally underseen during a brief autumn run here last year.

Here’s a setup for a disaster movie: A thousand years after an environmental disaster causes mankind to abandon Earth, a spaceship crash-lands on the planet leaving a father and son to fight for their lives.

“The Killing” was AMC’s first (prestige?) drama to premiere after “Mad Men” and “Breaking Bad.” The cable network was on a hot streak; critics and audiences expected excellence.

Ever had one of those hangovers? The waiting-for-the-sweet-release-of-death, I’m-never-drinking-another-drop kind of hangovers?

With our bicycle-centric issue this week, we’ve decided to count down our 10 favorite bikes from pop culture.

Also, Arena Grand Theater closing, to reopen as part of Studio Movie Grill chain.