Artscape

Home bodies

by Tracy Zollinger Turner

WILL SHILLING PHOTO

Melissa Vogley Woods and Helma Groot

Houses, hearth, quilts, gardens, natural beauty and family vacations carry all of the most romantic notions about home life, which we are reminded of daily by everything from commercial slogans to political speeches. But domestic bliss—while not exactly a myth—is simply never the whole story.

In Domesticate Me: Habitats Natural and Unnatural, a robust exhibit that features five well-established local artists, the comfort and allure of home are there in all their glory. But so are all of the unsettling underpinnings of domestic life, like fear, insecurity, anger—even obliviousness to the disaster next door.

The five women participating in the show had all encountered each other professionally over the years, but having children at Indianola Elementary School at the same time brought them together. They planned to go to Gallery Hops together monthly to take in some current local work and commiserate on the balancing act between motherhood and pursuing a fine arts career.

But while life has often "gotten in the way" of their social plans, according to Helma Groot, one of the group's members, they did manage to come together for this show and find common themes.

One that runs throughout the show, but is particularly prevalent in Groot's work, is the turbulent habitat of rivers. Through mobiles, sculptures and house-shaped paintings, her human figures seem to be constantly caught up in the currents with fish, debris and bombs. With childhood experiences in both Holland and Indonesia, Groot has been a firsthand witness to many human battles with rising waters.

"In nature, there is good and bad, the same way that in human nature there is good and bad," she said. "And there can be scary things floating beneath the surface."

Groot, who'll be featured on HGTV's That's Clever in March, is also the business partner of fellow exhibitor Melissa Vogley Woods. Woods founded Painted Monkey, a former storefront in the Short North that evolved into a mural design company. The duo has painted over a dozen common spaces, treatment rooms and playrooms in Children's Hospital, as well as rooms in private homes all over the city.

What: "Domesticate Me: Habitats Natural and Unnatural"

When: Through March 9; artists' reception Friday, February 23, 6-8 p.m.

Where: Fort Hayes Shot Tower Gallery, Downtown

Web: fthayes.com

 

In the last year, Woods has recommitted to a full workload in the fine arts vein, largely playing with the boundaries between quilt-making and painting. Textile pieces are finely stitched and painted upon, while paintings reference classic quilt patterns.

Watching families succumb to the floodwaters of Hurricane Katrina seeped into Woods' work for Domesticate Me. A female forager appears in multiple pieces, with a massive collection of sticks and twigs on her back and a side satchel. She is variously surrounded by birds, trees, and red-stitched waves carrying houses away.

"Having little kids and watching what happened, [Katrina] put me in this survival mode," said Woods. "I researched survival kits—every way you can survive a disaster."

But as loaded as her forager is with wood, she doesn't look burdened—a symbol of motherhood. "You take on the load of everything and just keep going."

Laura Sanders contributes technically pristine oil paintings set in unidentified bodies of water, and children splashing, swimming or posing in several of them. But the water's grey-green color keeps the scenes from looking like postcard vacations, like images captured on overcast days.

Terry Maloney Houston's domestic bestiary of urns and dishes play with notions of animals as symbols in domestic life. Crows seem to represent the egos of couples—one hovers protectively over three tomatoes, while a bickering pair inadvertently lets snakes into the house.

Rebecca Brandeis Morton has several series of etchings of women with the fantastic, semi-erotic qualities of art nouveau, but hers are somehow more self-conscious, less idealized. The female figures, entwined with tree branches and elaborately detailed backgrounds.

Morton, along with Groot, Woods and Houston, will offer related workshops to the public on , March 6. Admission is free, but space is limited.

February 22nd, 2007

Copyright ? 2007 Columbus Alive, Inc. All rights reserved.

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